Press
Xavier Coll takes us to unknown lands, where the notes in turn cry, sing, dance or fly away, towards the columns of the colored mosaics, the floral friezes and the ceilings, decorated with red and white ceramic roses. . Whether in arpeggios or in chords, the virtuosity of the staggering artist...
Nicole Bourbon (Reg ´Arts)On guitar, Xavier Coll is subtle and suggestive, fantasizing in a contained and reflective way, as in the modest exposition of an inner thought...
Albert Mallofré (La Vanguardia, Barcelona)Xavier Coll played his pieces with excellent style, uncompromising musicianship and good sound.
Colin Cooper (Clasical Guitar, London)An exhibition of expressive force, virtuosity and musicality.
Escriba su subtítulo aquíJavier Pérez-Senz (El País, Madrid)Xavier Coll is an exceptional guitarist and an equally exceptional musician. His playing is of extraordinary craftsmanship, most often exceeding what is generally described as “virtuoso”.
Escriba su subtítulo aquíAmal Choucri (Egyptian Progress, El Cairo)Xavier Coll seems to consider the fact of executing a piece where others call the task over. From a technical point of view he is one of the most polished guitarists I have ever heard. The purification of the sound, the perfect articulation, the microdynamics and a very wise use of the rubato that turns mere technical ease into a transcendent version...
Escriba su subtítulo aquíXavier Casanoves-Danès (AVUI, Barcelona)Sensitive interpretation.
Escriba su subtítulo aquíRoland Ulrich (CH Magazine Guitars, Switzerland)Very interesting performance by guitarist Xavier Coll, who manages and knows how to reflect the strength and charm of each of these scores.
Escriba su subtítulo aquíAlbert Vilardell (Amadeus)Excellent qualities of guitarist Xavier Coll.
Escriba su subtítulo aquíAlain Miteran (The Notebooks of Guitar and Music, Paris)Xavier Coll belongs to the group of performers who, going beyond an absolutely assumed technical virtuosity, have as their fundamental objective to highlight the human and creative quality of the music thanks to carefully prepared versions, both in the analysis of the text as in the arrangement of the sound game.
Escriba su subtítulo aquíFrancesc Taverna-Bech (Catalan Musical Magazine, Barcelona)Xavier Coll proved to be a first class instrumentalist.
Escriba su subtítulo aquíCarlos Villasol (El Mundo, Bilbao)Technically irreproachable and musically attractive readings.
Escriba su subtítulo aquíXavier Cester (CD COMPACT, Barcelona)Some exemplary performances in terms of stylistic adequacy and a very healthy vitality.
Escriba su subtítulo aquíJosep Pascual (Amadeus, Barcelona)Leaving a pleasant and lasting smile on the viewer is a difficult task; however, these four stupendous guitarists did it, and with great musical merit, too. Congratulations for showing that it is possible to fill with good music showing the potential of the guitar…
Escriba su subtítulo aquíJorge de Persia (La Vanguardia, Barcelona)Coll is a skilfull acompanist (his trills are remarcable).
Escriba su subtítulo aquíEarly Music (London)Xavier Coll, who we have admired and applauded in several cambristic interventions but always instrumental, stands here as an extraordinary vocal accompanist with his romantic guitar.
Escriba su subtítulo aquíJR (Serra d'Or, Barcelona)Two prestigious musicians from our country, Margarida Lladó, voice and Xavier Coll, guitar...interpretive subtlety and good understanding between voice and singing...
Escriba su subtítulo aquíJordi Salazar Roy (Catalan Musical Magazine, Barcelona)The flutist Montserrat Gascón and the guitarist Xavier Coll were very close in their common result, as well as excellent in the tuning and neatness of their technical resources.
Escriba su subtítulo aquíAntonio Iglesias (ABC, Madrid)The flutist Montserrat Gascón and the guitarist Xavier Coll have come to bring a different breath of air. Their individual excellence joins the deal as a duo.
Escriba su subtítulo aquíCarlos Gómez Amat (El Mundo, Madrid)